Journey into a World of Fantasy: Unveiling the Magic of “Mistborn”

Every once in a while, we come across a piece of literature that leaves us wide-eyed with its unique world, captivating characters, and gripping storyline. For those who adore fantasy like me, the “Mistborn” series by Brandon Sanderson is one such marvel that will keep us riveted from beginning to end. Today, we dive into the magical universe of “Mistborn” and what makes it a compelling read for fans of fantasy novels.

“Mistborn: The Final Empire,” the first book in the series, instantly invited me into a world where the laws of nature are manipulated by gifted individuals who ingest and “burn” different types of metal, each granting them distinct supernatural powers. These individuals are known as the “Mistborn.” Set in a dystopian landscape ruled by the immortal Lord Ruler, the society of “Mistborn” is divided between the oppressed skaa (commoners) and the privileged nobility.

The protagonist, Vin, a young skaa girl, survives the brutal streets of Luthadel by relying on her quick wits and natural skepticism. Vin’s life takes a dramatic turn when she discovers she is a Mistborn, possessing an extraordinary range of powers. She is recruited by a charismatic revolutionary, Kelsier, a Mistborn who plans to overthrow the tyrannical Lord Ruler. As Vin learns to harness her abilities, she becomes a key player in the rebellion and an emblem of hope for the oppressed skaa.

What makes this book so enticing? Sanderson’s exceptional world-building is one of the most vital elements of the series. The meticulous design of the magic system, known as Allomancy, is utterly fascinating. It operates on defined principles and limitations, making it believable and intricate. Using metals as a source of magic is genuinely innovative and sets “Mistborn” apart from other fantasy novels.

Moreover, Sanderson has crafted a variety of engaging characters. Vin, our heroine, evolves from a wary, mistrustful street urchin to a brave, determined woman, inspiring readers with her journey. Other characters like Kelsier, with his magnetic personality and unwavering optimism, also leave a lasting impression.

The narrative is complex but smoothly paced, allowing me to immerse myself in the world of “Mistborn gradually.” It’s an epic tale of resilience and rebellion, interspersed with tension, exhilaration, and heartbreak. Sanderson’s writing style is lucid and engaging, making it an enjoyable read for teenagers and adults alike.

“Mistborn” is not just about magic and adventure; it also delves into themes like power, inequality, and the human spirit’s resilience against oppression. It made me reflect on these profound subjects, adding a deeper layer to my reading experience.

In conclusion, Brandon Sanderson’s “Mistborn” is an exciting adventure into a world teeming with mystery, magic, and compelling characters. The intriguing magic system, engaging plot, and complex themes make it a must-read for any fantasy fan. So, if you haven’t ventured into the world of “Mistborn” yet, grab a copy, cozy up in your favorite reading nook, and prepare yourself for an unforgettable journey.

If You Feel Uneasy, Read This Book: Hojoki

With recent Tornado and COVID outbreaks, I have felt constant uneasiness for the last year or so. I picked up a book, the Hojoki. The Hojoki is a collection of literary essays from Kamo no Chomei (鴨長明). The Hojoki is regarded as one of the three great Zuihitsu (essays). The Hojoki was written around 1212.

In the Hojoki, Chomei wrote about Mujokan (無常観), the awareness of impermanence, a fundamental Buddhist philosophy principle. Things never stay permanent. Everything changes even if they don’t seem to change in appearance.

The last time I read this book was when I was in my teens. I still remember the first part because we had to learn the first part of my school’s curriculum. It was so poetic that I memorized the opening of this book.

I translated the opening of the book.


Look at the river carefully. The flow of the water never ceased.
You realize the river exists all the time, but the water in the river never stays the same.
The bubbles floating in the river constantly bursting and reform, and they are never lingering.
Just like the water and the bubbles in the river, people and their dwellings in the world keeps changing.
There is nothing in the world that stays permanent.


In the opening sentence, Chomei wrote about the awareness of the transience of things by giving the exact things he experienced. This opening poem reminds me of Pantha Rhei, the ever-present change expressed by The Greek Philosopher Heraclitus of Ephesus (535 – 475BC).

Before I explain further about this book, I would like to introduce Chomei’s life quickly. He was born in 1155 as the 2nd son of Negi at Shimogamo temple. Negi is the title of a person who leads Shinto rituals at a Shinto Temple. Many wealthy people made donations to Shinto temples to avoid disaster. Therefore, some temples, such as Shimogamo Temple, became wealthy. Chomei had a luxurious childhood.

Although, it did not last long. When Chomei was 18 years old, his father passed away. Since Chomei’s mother was already passed away, he had no allies during inheritance conflicts among his relatives. As a result, Chomei was left with nothing. He decided to abandon his relatives and duties at the Shinto temple and mastered playing the Biwa (a Biwa is a plucked string instrument resembling a lute) and creating waka. Waka is a classic Japanese poem that contains 31 morae.

At the age of 47, he had another opportunity to regain his social status. At this time, Chomei mastered playing Biwa, and he was a well-regarded poet. He was appointed as one of the editors of Chyokusen Waka Shyu. Because he worked so hard on the new role as an editor, he was given a chance to be a Negi at a Tadasunoyashiro temple by Gotoba Tenno, the 87th Japanese Tenno. Although, Chomei lost this opportunity because his relatives objected. Chomei’s relatives believed that he was not entitled to the position because Chomei abandoned his duties at another Shinto temple. The Tenno agreed with their objection, so Chomei did not get the role. Chomei became a Buddhist monk at forty-nine and lived in a 10- square foot house in a mountain until his death with great disappointment.

All essays in the Hojoki were Chomei’s historical statements about his own experiences and five disasters he experienced: fires, Whirlwind, relocation of the nation’s capital, flood, and earthquake. He mainly experienced them in his 20’s.

The disasters Written in the Hojoki:

The Great Fire at Angen (23 years old) – 1177

The Whirlwind at Chishyo (26 years old)

Fukuhara Sento – Moving of Capital city (26 years old) 1180

Famine at Yowa (27 years) – 1181

Earthquake in Genryaku (31 years old) – 1185

The Genpei War 1180-1185

He lived in a Chaotic World. In 1180, the Genpei War started. It was a national civil war between the Taira and The Minamoto clans. The battle lasted five years, and the Taira clan lost. In 1192, Yoritomo Minamoto was finally granted the title of the imperial commission, Sei-I Tai Shogun, and a feudal state in Japan arose. I will not get into the Genpei War in this article; however, I found many videos about it. I will share links to the videos below. You are free to check the videos that explain the war very well.

Chomei wrote what he observed and felt from the disasters he experienced. Then, he stated that history keeps repeating because we seem to forget the lessons learned from the horrible disasters.


People talked about the disasters when they occurred.
However, we forget as time passes.
Thus, we never learned from them.


After the war of Genpei, Japan turned into a feudal state which lasted until the Edo period started. We experienced multiple wars as if we did not learn a thing from each war.
As of 2021, we still live in the middle of the COVID pandemic, which has claimed many lives. Will we still remember this pandemic a few decades later? Can we react better when the next pandemic strikes? In order not to repeat the disaster, we should not forget what happened.

In the last part of this book, Chomei wrote about how to live from his point of view. His life experiences influenced him greatly. He suggests living freely without depending on others. He means not being too obsessed with people, materials, or social status as all things in the world are ephemeral.


Yet, in the final part of this book, he wrote.

I left material life.
I live and act like a monk
I preach not to be obsessed with things.
I questioned myself.
Yet, why do I still write about my life?
All I could say was “Amitabha.”

His book captured my heart because they were written from his personal experience. Throughout his writing, I still sense his deep sorrow. This book contains the conclusions he reached after his affairs. At the same time, I feel somehow lifted because he retained his humanity. It is ok if we lose time to time. I am encouraged by the book because it made me realize that things I worry over are also not permanent.


I recommend that anyone read this book, especially if you feel uneasy that there is no certainty in life; If you do not know what to do or have difficulties from relationships. The book shows you a different way of living life.

The book shows a different way of living life – a life without obsession. Of course, it is good to work hard on something. Don’t invest too much of your energy or emotion in them because nothing lasts forever.

Revisiting Spirit Away

I recently watched “Sprit Away – English version.” I had previously watched Spirit Away almost two decades ago. I recalled it as an exciting adventure film with few messages such as environmental stewardship and greed.  My niece recently started watching Miyazaki’s movies, my neighbor Totoro and Ponyo, which made me want to watch Miyazaki’s films again.

It is interesting to discover how our cumulative experience and knowledge influence our perspective toward books or movies. This time, I had a different view of this film from the last time I watched it. The characters were carefully developed throughout the story. Miyazaki intentionally leaves some essential elements blank so that anyone can fill them in. Now everyone has different interpretations of the movie. After I re-watched this movie, I decided to do a literary analysis on this film from a Japanese perspective. For this blog, I focused on the following two points of the film.

–       Who is Haku?

–       What is the hidden motivation of the main character?

It is critical to understand the relationship of Chihiro to her parents before talking about Haku. Chihiro seems to have affection toward both of her parents just like a child, while her mother is distant to Chihiro. The mother did not show concern for Chihiru’s safety. For example, the mother did not check whether Chihiro passed the creek safely or not. In the scary place, Chihiro was disturbed. Just as a typical child would do, Chihiro held onto the arms of her mother. Instead of holding the daughter’s hand, the mother complained not to cling to her arm, which was an un-motherly-like behavior.

The next important character in this movie is Haku, the river god who helps her. Haku appeared in front of Chihiro early in the film, right after her parents turned into pigs. Miyazaki left Haku’s appearance in front of Chihiro ambiguous, so we must fill the detail ourselves.

When Chihiro returned the golden seal to Zeniba, Zeniba told Chihiro the spell on it was gone. Then, Zeniba exclaimed that only love could break her spell. What kind of love was that? Why was Haku so willing to help Chihiro from the beginning of her adventure? When we think about these questions, was there “a biological love” between them. Haku was Chihiro’s brother? Sometimes these spirits (Kami) can be created from people’s wishes. Sometimes spirits are created when one sacrifices one’s life for another.

When I was young, my grandmother told me a story about a girl who lost her way in the woods. She ended up among many flowers where she met an older woman there who said to the girl,

Do you see teardrops on the flower?

A girl somewhere just gave her food to her younger sisters, even though she was also starving.

Do you see the tear, that is the tear from the girl?

Do you see the mountain?

A man sacrificed his life to save the villagers. So, he became a mountain.

When people sacrifice something, they make a flower to grow.

When people sacrifice their lives, they turn into Mountains.

Now, go home.

There are reasons why I think Haku was Chihiro’s biological brother. Haku seems willing to risk his life to save Chihiro from the beginning, yet Haku remembers nothing except Chihiro’s name. Zeniba told Chihiro that the spell was removed because of love. Zeniba repeated “Love” twice, and this is important.

When Chihiro was riding on Haku, the dragon, fragments of memories flashed through her head – her pink shoes were carried away by the river’s current.  Then, there is a hand with a white T-shirt that pulled her from the river. Chihiro wondered why she could not recall the memory earlier. Chihiro almost died from drowning in the past, and he could not remember it. It is documented that some traumatic events can create memory loss associated with the traumatic events. Health professionals address the symptom as Trauma-related dissociation, a survival mechanism of forgetting the event that is so overwhelming that one can no longer cope (International Society for Study of Trauma and Dissociation, n.d.). With few seconds of information, I could formulate the following hypothesis.

When Chihiro was younger, she nearly drowned in a river. Her brother, Haku, drowned in the river when he was trying to save Chihiro. With the overwhelming traumatic event of near-death experience and the loss of her brother, Chihiro could not remember the event at all. Chihiro’s mother is distant subconsciously because she somehow felt that Chihiro was responsible for her son’s death. According to Foster (2003), there are some common personality traits – they tend to be responsible for the death of someone close. This trait is not clearly stated in the text, so we need to fill in this blank to make sense of the character. Unfortunately, the characters, such as Haku, are rarely the protagonist. Instead, their death is often used to move the plot forward.

After sacrificing his life for his sister, Haku turned into the Kohaku River. Haku is the river’s name. Spirits don’t remember their name, why they died or what they were doing before they turned into a spirit. After sacrificing his life for his sister, Haku turned into the Kohaku River. Haku is the river’s name. Spirits don’t remember their name, why they died or what they were doing before becoming a spirit. Chihiro says that the Kohaku River no longer exists because of the new apartment complexes where the river used to be. It must be at least a few years that have passed since the traumatic event. Her parents are moving away from the old town to start a new life to rebuild the family relationship because some family problems are incurred from their son’s death. They may be moving because the river no longer exists.

Chihiro starts her adventure to save her parents, then to save Haku. These are the stated motivation of the heroes in the movie. There is a common trait among parents, Chihiro, and Haku in the spirit world. All of them seek an establishment place. Chihiro and her parents are moving away from the home they lived. Haku lost the river he used to haunt. I think the hidden motivation of the hero was to find the next place to inhabit. Since Chihiro could not remember her brother’s death, she moves forward (grown) by placing how someone sacrificed his life for her in the past.

Neither parents nor Chihiro will have a clear memory of their disappearance. They will continue with their life after they moved into a new home.

In Japan, many folklores spoke about Kamikakushi, spirited away. The Japanese title of this movie is “Sen to Chihiro no Kamikakishi.” Kamikakushi means “hidden by the gods,” and people often use the word to explain the disappearance of people and their reappearance. Many returned with either fuzzy memories or no memories of their disappearance. The folktales were made so that the parents or people close to the missing people could deal with the tragic disappearance of someone they love (Matsuura, 2019).

There is personal development in Chihiro her adventures in the spirit world. When Chihiro’s father said to Chihiro,” A new home and a new school? It is a bit Scary”, Chihiro replied. “I think I can handle it.” We will never know whether she remembers her past after she is out from the spirit world. She may remember her traumatic events. Even she remembers her traumatic event, and I feel that Chihiro could make peace in her mind to move on with her life. I think Haku left the spirit world where he was trapped and came back to Chihiro’s world to protect her as her protective spirit (Shyugorei) just as promised to Zeniba – This is an ending I imagined after revisiting the film.

This is the second time I did a literary analysis. Literature is just like art. The key to understanding the literature is the motivation behind the techniques the creator intentionally used. Miyazaki left out what happened to them or Haku for the movie. So, this will be up to the audience to fill in the blank – that is the exciting part of literary analysis. And, it is interesting to find out how I come up with a different perspective from what I remembered from 20 years ago.

My First Project in Literary Analysis: The Masque of the Red Death

It was not so long ago when I started reading fiction books. I have hardly read any fictions books for the last 15 years because I thought I would learn more from non-fiction books. The one book changed my mind 180 degrees. Last Christmas, I read “How to Read Literature Like a Professor Revised: A Lively and Entertaining Guide to Reading Between the Lines” by Thomas Foster. Foster (2014) explained that literary analysis is like pattern recognition. It sounded interesting. So, I tried literary analysis on my own. 

For my first literary analysis project, I selected a chilling story from Edgar Allan Poe, the masque of the red death. I liked his writing style because it reminds me of Ryunosuke Akutagawa, a Japanese author known for “Rashomon.” Summer in Tennessee is hot. So, a chilling story would be nice to ease this heat. It is a six-page short story, yet it contains Poe’s tactical usages of Symbolism and Metaphors.

The Plot Summary

The fatal outbreak, the “Red Death,” ravaged the country. The plague was so deadly that the population of the country dropped nearly by half. The horrible pandemic caused a patient sharp pain, sudden dizziness, and profuse bleeding from pores. The scarlet stains appear on the patient’s body – especially on the face, which scared away the sympathetic fellow men.

Due to the outbreak, Prince Prospero secluded himself from the pandemic in the abbey with a thousand knights and their spouses to continue to live a lavish lifestyle until the outbreak was over. An iron gate, welded from weapons the courtiers brought, should protect prince Prospero and his courtier from the red death. There were enough supplies. All they needed to do is to pass the time with lavish parties until the outbreak was over.

At the 5th or 6th month of the seclusion, the prince and his friends held a masked ball held in seven imperial suites. The apartments were so irregularly arranged that people could see only one apartment at a time. There were sharp turns every twenty or thirty yards, and each turn created a novel effect. Each room was coordinated with color and located in the following order: blue, purple, green, orange, white, violet, and finally, black. All rooms were coordinated with the decoration of the chamber, except for the last black one. The room had black velvet tapestries and black carpet; however, the windows’ color failed to match the decorations. The windows were scarlet that resembled a deep blood color. No one except a few entered the room during the party.

There was a giant clock made from ebony in the black chamber, which pendulum swung with a dull, heavy, and monotonous clang. The clock strikes a chime each hour, which interrupts people from whatever joy they were experiencing. Then, people go back partying after the chime is over.

Around midnight, guests started noticing a masked individual wearing a dark, blood-splattered robe, resembling a corpse from the red death. The insulted prince demanded the identity of this stranger. The guests were too scared to stop this intruder. This nameless intruder made his way from the blue room, the purple, the green, the orange, the white, and the violet room without interruption. Finally, the prince drew his dagger and charged toward this stranger. As the stranger faced the prince, the prince fell dead with a sharp cry. The people surged into a 7th chamber and pulled the mask and robe from the stranger. There was nothing underneath. The guests at the party fell sick. The story ended with the sentence, “Darkness and Decay and the Red Death held illimitable dominion over all.

Analysis

Poe’s novels are all poetic. All sections of the novel are equally essential to the novel, and they are entangled in a complex manner to create such a beautiful novel. There would be many symbolic language and metaphors. I started highlighting any suspected symbols and metaphors and started to analyze them.

Instinctively, I thought the seven imperial suites and the structure of the halls represent something; however, I did not know what they meant. The key was the order of the color of the rooms – blue, purple, green, orange, white, violet, and black. The black room seemed a key because it was different from other rooms. This was the room people avoided – were people afraid to step into the room? When I was talking to my husband, he mentioned that blue is often associated with birth. So, we hypothesized that rooms representing the stage of life: blue as the birth, purple as a youth, green as adolescence, orange as adulthood, white as old, violet as illness, then black as death.

If colored rooms were representing stages of life, the structure of the house would make sense. The hallways to each room have sharp turns every 20 or 30 feet between the rooms. The views were so limited that people could see one room at a time. Each turn, people could feel a novel effect. The structures of the hallways represent the way through each life stage.

The gigantic ebony clock that in the black room represents the time of people’s life. The clock is ticking equally to everyone until you would die. The clock kept reminding all people in the spaces that their time would eventually come.

The story reached a climax when the masked stranger made his appearance in the easternmost room, the blue room – representing birth. It wore the costume of the red death. Since people feared his presence, it moved toward the black rooms uninterrupted until prince Prospero charged at it with a dagger.

Initially, I thought Prince Prospero represented Poe himself. Although, I could not understand why Poe selected this name for the prince in this story. This is the name of a character from The Tempest by William Shakespeare. Prospero in The Tempest won. Instead of winning, Prince Prospero in Poe’s novel charged into the masked stranger and died. The tempest is a carefully developed drama portraying the ultimate triumph of ethical control over passion, and Prospero represents with “Noble Reason” (Phillips, 1964, P147). Prospero was an analogy in Poe’s novel representing reasoning or control. The masked individual represents fatal illness. Now, I think the prince Prospero represents Poe’s ability to control, which was destroyed by the plague, his wife’s consumption. Later, Poe wrote to his friend, George W. Eveleth, explaining his mental state.

Each time I felt all the agonies of her death — and at each accession of the disorder I loved her more dearly & clung to her life with more desperate pertinacity. But I am constitutionally sensitive — nervous in a very unusual degree. I became insane, with long intervals of horrible sanity. During these fits of absolute unconsciousness I drank, God only knows how often or how much. As a matter of course, my enemies referred the insanity to the drink rather than the drink to the insanity. I had indeed, nearly abandoned all hope of a permanent cure when I found one in the death of my wife.

Edgar Allan Poe Society of Baltimore—Works—Letters—E. A. Poe to G. W. Eveleth (January 4, 1848). (n.d.).

Pulmonary tuberculosis claimed many lives in the United States. In the 1800s, as many as one in seven Americans (Fay, April 1, 2020, para 7-8). Poe himself lost many loved one from the illness. Virginia, his beloved wife, was not excluded. In January 1942, Poe’s wife, Virginia, was diagnosed with Pulmonary tuberculosis. Despite the protection (iron gate) he put against the illness. Pulmonary tuberculosis slowly kills people. How painful it must have been for Poe to watch his wife waste away from such an illness. As his wife was getting sicker, he was more drawn to liquor. Despite the wealthy household or “iron gate,” Poe explained nothing could protect your loved one from illness or death. To me, this story represents the inescapable nature of death and the futility of trying to keep it at bay. I sensed Poe’s Agony and sorrow which was expressed so beautifully with this short novel that it took my breath away.

Lessons Learned

This was the first time I did Literary Analysis. It took me longer than planned because I had to research the author to understand the story better. I still feel that I needed to improve on the techniques in analyzing metaphors. I will be planning to read on Literary analysis in the future. I felt fifteen years of not reading any fiction hurting me somehow as I could not remember the novels or poems I should be compared with. I am surprised at finding pleasure in the process of literary analysis. Not only I learned more about Poe, but I also stepped into a new field of gaining skills in analyzing literature. I will be more likely to do more literary analysis in the future.

References

Edgar Allan Poe. (1842). The Masque of the Red Death. [Kindle Edition]. A public Domain Book.

Edgar Allan Poe Society of Baltimore—Works—Letters—E. A. Poe to G. W. Eveleth (January 4, 1848). (n.d.). Retrieved July 9, 2021, from https://www.eapoe.org/works/letters/p4801040.htm

Fay, Glenn J. (Apr 1, 2020). The White Plague: Tuberculosis in Early America.https://medium.com/age-of-awareness/the-white-plague-tuberculosis-in-early-america-954f47e9675f

Foster, T., (2014). How to Read Literature Like a Professor. [Kindle Edition]. Harper Perennial.

Phillips, J. E. (1964). The Tempest and the Renaissance Idea of Man. Shakespeare Quarterly, 15(2), 147–159. https://doi.org/10.2307/2867886