My First Project in Literary Analysis: The Masque of the Red Death

It was not so long ago when I started reading fiction books. I have hardly read any fictions books for the last 15 years because I thought I would learn more from non-fiction books. The one book changed my mind 180 degrees. Last Christmas, I read “How to Read Literature Like a Professor Revised: A Lively and Entertaining Guide to Reading Between the Lines” by Thomas Foster. Foster (2014) explained that literary analysis is like pattern recognition. It sounded interesting. So, I tried literary analysis on my own. 

For my first literary analysis project, I selected a chilling story from Edgar Allan Poe, the masque of the red death. I liked his writing style because it reminds me of Ryunosuke Akutagawa, a Japanese author known for “Rashomon.” Summer in Tennessee is hot. So, a chilling story would be nice to ease this heat. It is a six-page short story, yet it contains Poe’s tactical usages of Symbolism and Metaphors.

The Plot Summary

The fatal outbreak, the “Red Death,” ravaged the country. The plague was so deadly that the population of the country dropped nearly by half. The horrible pandemic caused a patient sharp pain, sudden dizziness, and profuse bleeding from pores. The scarlet stains appear on the patient’s body – especially on the face, which scared away the sympathetic fellow men.

Due to the outbreak, Prince Prospero secluded himself from the pandemic in the abbey with a thousand knights and their spouses to continue to live a lavish lifestyle until the outbreak was over. An iron gate, welded from weapons the courtiers brought, should protect prince Prospero and his courtier from the red death. There were enough supplies. All they needed to do is to pass the time with lavish parties until the outbreak was over.

At the 5th or 6th month of the seclusion, the prince and his friends held a masked ball held in seven imperial suites. The apartments were so irregularly arranged that people could see only one apartment at a time. There were sharp turns every twenty or thirty yards, and each turn created a novel effect. Each room was coordinated with color and located in the following order: blue, purple, green, orange, white, violet, and finally, black. All rooms were coordinated with the decoration of the chamber, except for the last black one. The room had black velvet tapestries and black carpet; however, the windows’ color failed to match the decorations. The windows were scarlet that resembled a deep blood color. No one except a few entered the room during the party.

There was a giant clock made from ebony in the black chamber, which pendulum swung with a dull, heavy, and monotonous clang. The clock strikes a chime each hour, which interrupts people from whatever joy they were experiencing. Then, people go back partying after the chime is over.

Around midnight, guests started noticing a masked individual wearing a dark, blood-splattered robe, resembling a corpse from the red death. The insulted prince demanded the identity of this stranger. The guests were too scared to stop this intruder. This nameless intruder made his way from the blue room, the purple, the green, the orange, the white, and the violet room without interruption. Finally, the prince drew his dagger and charged toward this stranger. As the stranger faced the prince, the prince fell dead with a sharp cry. The people surged into a 7th chamber and pulled the mask and robe from the stranger. There was nothing underneath. The guests at the party fell sick. The story ended with the sentence, “Darkness and Decay and the Red Death held illimitable dominion over all.

Analysis

Poe’s novels are all poetic. All sections of the novel are equally essential to the novel, and they are entangled in a complex manner to create such a beautiful novel. There would be many symbolic language and metaphors. I started highlighting any suspected symbols and metaphors and started to analyze them.

Instinctively, I thought the seven imperial suites and the structure of the halls represent something; however, I did not know what they meant. The key was the order of the color of the rooms – blue, purple, green, orange, white, violet, and black. The black room seemed a key because it was different from other rooms. This was the room people avoided – were people afraid to step into the room? When I was talking to my husband, he mentioned that blue is often associated with birth. So, we hypothesized that rooms representing the stage of life: blue as the birth, purple as a youth, green as adolescence, orange as adulthood, white as old, violet as illness, then black as death.

If colored rooms were representing stages of life, the structure of the house would make sense. The hallways to each room have sharp turns every 20 or 30 feet between the rooms. The views were so limited that people could see one room at a time. Each turn, people could feel a novel effect. The structures of the hallways represent the way through each life stage.

The gigantic ebony clock that in the black room represents the time of people’s life. The clock is ticking equally to everyone until you would die. The clock kept reminding all people in the spaces that their time would eventually come.

The story reached a climax when the masked stranger made his appearance in the easternmost room, the blue room – representing birth. It wore the costume of the red death. Since people feared his presence, it moved toward the black rooms uninterrupted until prince Prospero charged at it with a dagger.

Initially, I thought Prince Prospero represented Poe himself. Although, I could not understand why Poe selected this name for the prince in this story. This is the name of a character from The Tempest by William Shakespeare. Prospero in The Tempest won. Instead of winning, Prince Prospero in Poe’s novel charged into the masked stranger and died. The tempest is a carefully developed drama portraying the ultimate triumph of ethical control over passion, and Prospero represents with “Noble Reason” (Phillips, 1964, P147). Prospero was an analogy in Poe’s novel representing reasoning or control. The masked individual represents fatal illness. Now, I think the prince Prospero represents Poe’s ability to control, which was destroyed by the plague, his wife’s consumption. Later, Poe wrote to his friend, George W. Eveleth, explaining his mental state.

Each time I felt all the agonies of her death — and at each accession of the disorder I loved her more dearly & clung to her life with more desperate pertinacity. But I am constitutionally sensitive — nervous in a very unusual degree. I became insane, with long intervals of horrible sanity. During these fits of absolute unconsciousness I drank, God only knows how often or how much. As a matter of course, my enemies referred the insanity to the drink rather than the drink to the insanity. I had indeed, nearly abandoned all hope of a permanent cure when I found one in the death of my wife.

Edgar Allan Poe Society of Baltimore—Works—Letters—E. A. Poe to G. W. Eveleth (January 4, 1848). (n.d.).

Pulmonary tuberculosis claimed many lives in the United States. In the 1800s, as many as one in seven Americans (Fay, April 1, 2020, para 7-8). Poe himself lost many loved one from the illness. Virginia, his beloved wife, was not excluded. In January 1942, Poe’s wife, Virginia, was diagnosed with Pulmonary tuberculosis. Despite the protection (iron gate) he put against the illness. Pulmonary tuberculosis slowly kills people. How painful it must have been for Poe to watch his wife waste away from such an illness. As his wife was getting sicker, he was more drawn to liquor. Despite the wealthy household or “iron gate,” Poe explained nothing could protect your loved one from illness or death. To me, this story represents the inescapable nature of death and the futility of trying to keep it at bay. I sensed Poe’s Agony and sorrow which was expressed so beautifully with this short novel that it took my breath away.

Lessons Learned

This was the first time I did Literary Analysis. It took me longer than planned because I had to research the author to understand the story better. I still feel that I needed to improve on the techniques in analyzing metaphors. I will be planning to read on Literary analysis in the future. I felt fifteen years of not reading any fiction hurting me somehow as I could not remember the novels or poems I should be compared with. I am surprised at finding pleasure in the process of literary analysis. Not only I learned more about Poe, but I also stepped into a new field of gaining skills in analyzing literature. I will be more likely to do more literary analysis in the future.

References

Edgar Allan Poe. (1842). The Masque of the Red Death. [Kindle Edition]. A public Domain Book.

Edgar Allan Poe Society of Baltimore—Works—Letters—E. A. Poe to G. W. Eveleth (January 4, 1848). (n.d.). Retrieved July 9, 2021, from https://www.eapoe.org/works/letters/p4801040.htm

Fay, Glenn J. (Apr 1, 2020). The White Plague: Tuberculosis in Early America.https://medium.com/age-of-awareness/the-white-plague-tuberculosis-in-early-america-954f47e9675f

Foster, T., (2014). How to Read Literature Like a Professor. [Kindle Edition]. Harper Perennial.

Phillips, J. E. (1964). The Tempest and the Renaissance Idea of Man. Shakespeare Quarterly, 15(2), 147–159. https://doi.org/10.2307/2867886