Unmasking ‘If We Were Villains: A Dark Dance Between Shakespeare and Suspense

The book “If We Were Villains” by M.L. Rio is an extraordinary tale that had me hooked from the start. After being captivated by “The Secret History,” this contemporary dark academic book seemed the perfect next step in my literary journey.

The story takes place in a prestigious Shakespearean acting program and follows a close-knit group of seven drama students. As they delve deeper into their roles, they become entangled in a web of deceit, fixation, and sorrow.

The story starts with our main character, Oliver Marks, who’s just finished a ten-year prison sentence for a crime that we have yet to learn. As the book goes on, we’re left wondering who’s pretending and who’s not — after all, everyone in the story is a skilled actor, making things even more exciting. There’s also a mystery around a student’s death. This element is cleverly added to the story, keeping us guessing what happened until the end of the book.

Like the iconic “Interview With The Vampire” by Anne Rice, “If We Were Villains” switches between two timelines: Oliver’s present reflections and the past that led up to the catastrophic night that forever altered his life.

We journey with Oliver back to his formative years at the Dellecher Classical Conservatory, a prestigious art school renowned for its rigorous Shakespearean program. He paints vivid portraits of his six fellow troupe members, each with unique personalities and talents. Their shared love for Bard’s works forges a close-knit group resembling a family.

Their commitment to the craft amplifies as the students dive deeper into their roles. They blur the lines between their on-stage personas and their actual selves, leading to tangled relationships filled with love, friendship, rivalry, and even betrayal. The intensity of these relations keeps the true happenings of the fateful night a mystery until the end.
However, no matter how expertly one can act, stress and tension inevitably surface when a catastrophe occurs in the group. This tragic event triggers a domino effect that irrevocably transforms their lives. Secrets come to light, loyalties waver, and the line separating truth from fiction becomes perilously thin.

The author does a great job of creating complex connections among the characters. Oliver’s flashbacks teach us more about what led to that tragic night. These memories show us how the group interacted with each other and the effects of their actions. As we get closer to the end of the book, the mystery grows more and more, leading us to the surprising truth behind why Oliver was imprisoned.

“If We Were Villains” is a densely layered and meticulously plotted novel investigating art’s power and the intricacies of human relationships. It explores the depth of loyalty, identity, obsession, and the cost of ambition, and all staged against a Shakespearean canvas of drama and tragedy.

While thoroughly engrossing, the book does lean heavily on Shakespearean references. While I recognized some, many others required additional research on my part. You’ll likely get more out of these intertextual connections if you’re a Shakespeare enthusiast.
Nevertheless, despite its darker themes, “If We Were Villains” is an excellent book I highly recommend to any passionate reader. It’s a compelling narrative, and its unique premise makes it a read that is hard to put down!

From Mistborn to 1984: A Journey into Dystopian Fantasy

After finishing the Mistborn series, I decided to try a different genre—dystopian fantasy. That’s how I stumbled upon “1984,” a novel by George Orwell. It’s about a society where one group, the Party, rules everything.

The Party is really crafty at holding on to power. They use many tactics, like spying on people, twisting words and facts, and giving out brutal punishments. They have a knack for controlling what everyone thinks and does. And the worst part? People lose what makes them unique. Their rights and their lives revolve around serving the Party.

This quote from a book has stuck in my head, and I can’t seem to forget it.

Freedom is slavery.

Love is hate.

Ignorance is strength.

In societies like these, keeping the group together means keeping the leader in power. Ultimately, the group’s life depends solely on the survival of the leader or a select group—basically, it’s all about domination. There’s not much room for thinkers or philosophers in such a society. The only slots are for the ruler, like the Lord Ruler in “Mistborn” and Big Brother in “1984”. Thinkers who don’t fit in either get “re-educated” in the Ministry of Love or transformed into less intellectual beings, like the Kandra in “Mistborn.”

I remembered a story a Cambodian boy told me about his parents escaping the Khmer Rouge in the late ’70s. It was much like stories from folks who left Russia and Poland in the ’90s. These stories gave me an odd feeling after reading “1984.” I was scared to check if these stories were real because they might be even more terrible than I thought.

When rulers like these take over, they usually justify their harsh actions. They claim it’s all for the greater good, to crush individuality and personal rights. It’s all about power, control, and setting up a new order or “saving the world.” Interestingly, the Lord Ruler in “Mistborn” was trying to save the world. But he could have done it better like Elend Venture attempted to in the series.

Despite the uncomfortable feeling, “1984” is a fascinating read. It’s scary how the survival of everyone depends entirely on the Party. It shows how absolute control is used to boss people around. But it’s definitely worth the read!”

Journey into a World of Fantasy: Unveiling the Magic of “Mistborn”

Hello, fellow bookworms! We recently delved into the intriguing world of Brandon Sanderson’s “Mistborn” series. After exploring this dystopian universe, my curiosity has been piqued, and I’m excited to tell you about my next reading adventure.

Our journey into dystopian literature continues as I’ve picked out four other captivating books that present unique perspectives on dystopian worlds. These timeless classics have inspired readers worldwide and left indelible marks on the genre.

George Orwell’s “1984

Aldous Huxley’s “Brave New World.” Unlike “1984,”

Suzanne Collins’s “The Hunger Games.” – I know there’s a movie series, but I haven’t had the chance to see it yet.

Ray Bradbury’s “Fahrenheit 451,”

I plan to explore these books, comparing their dystopian elements with “Mistborn” and discussing what makes them so compelling. Stay tuned as I continue this literary journey together, discovering the depths of these iconic dystopian worlds. Who knows? I might even find my favorite book!